The final decision puro rebuild the Mensa sacra Pacis con its present location-beside the mausoleum, between the Cammino Ripetta and the Lungotevere-was made by Benito Mussolini himself. This placed the monument alongside the new Largo Augusto Imperatore (Emperor Augustus Square), designed per 1936 by the fascist architect Vittorio Ballio Morpurgo (1890–1966), which enclosed the mausoleum on two sides with modern buildings featuring huge travertine arcades.6 Of course, the altar itself would not simply have been left forever con the open air. While an initial suggestion was esatto shelter it under per third arcade, the prevailing choice placed the altar inside per pavilion. The Tavola liturgica Pacis’ new location thereby crowned the regime’s project of creating per mythological-historical place for ancient Roman memories inside the contemporary city and within the modern Roman pigiare. 7
The new project’s execution was entrusted sicuro the internationally acclaimed American architect Richard Meier, who had just completed the Getty Center sopra Los Angeles
Reconstruction of the altar was entrusted preciso Giuseppe Moretti, director of the 1937 excavation, who was assisted by the architect Guglielmo Gatti, while the pavilion was realized by Morpurgo. Many difficulties arose. First, there was verso great rush sicuro finish the rete informatica before the 1938 celebration. Later on, Morpurgo, per Jew, faced problems following the enactment of discriminatory racial laws in Italy. As per result, his original conception was severely simplified and, for the most part, reduced preciso a mere concrete shell; it was painted puro immagine like travertine, not making full use of the range of fine materials planned by the architect. The structure, however, was provided with large windows that allowed the monument preciso be viewed from outside. During World War II, Morpurgo’s pavilion was protected by an antishrapnel wall, which was later demolished, and its windows were replaced by a wall 4 m high.
Finally, durante the 1970s, the windows of the original design were reinstalled
Verso new project preciso house the Ara Pacis began in 1996 and was completed per 2006. It belonged onesto a series of high-profile architectural initiatives sicuro improve the modern city’s image, promoted by Rome’s City Council and the Superintendency of Rome’s Cultural Heritage (Sovraintendenza ai Averi Culturali del Pacifico di Roma). At the same time, verso new building was sorely needed puro protect the altar because of gravoso problems affecting the Morpurgo pavilion, including both structural and environmental deterioration. Meier is known for his purist and rationalist architectural designs expressed through linear constructions mediante white materials and an abundant use of large windows -a classic modernist vision compatible with the context of Rome’s Centro Augusto Regnante.8
Meier designed verso long building www.datingranking.net/it/romancetale-review, which is preceded by per fountain, verso plaza, and verso broad flight of steps approaching the beautifully articulated main entrance (fig. 1). He intended the staircase and the fountain sicuro form per reference esatto the old river port of Ripetta, demolished sopra 1901 to provide space for the Lungotevere. The museum complex itself is composed of three main parts: a transparent (predominately glass) central element flanked by two white solid geometric forms-per juxtaposition that creates verso play of light and shadow and is typical of the architect’s sistema (fig. 2). The materials used are likewise characteristic of Meier: white-painted concrete, gesso, glass, steel, and also travertine (which he had already employed at the Getty). The large central space, designed esatto house the altar, is preceded by a lower entrance atrio containing per bookshop and a small exhibition space. The third part houses an elegant double-storied auditorium, with a roof garden for private events. The auditorium’s compact form deliberately resembles the libro of the Ateneo delle Belle Arti nearby and links the museum complex to the Piazza Augusto Imperatore, as well as preciso the Modo di Ripetta, on which it has per separate entrance. The only element retained from the Morpurgo pavilion is the travertine questione inscribed mediante bronze letters with the Res gestae, the solemn will dictated by Augustus before his death. A mosaic, designed by the Italian artist Mimmo Propugnatore, decorates the museum’s exterior wall that faces the Tiber.